It's been a while, but I've finally updated my website. I hope you enjoy it!
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I want to thank the Art In Embassies Program for selecting my artwork for the permanent collection of the New US Consulate in Monterrey, Mexico.
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I’m happy to share with you the catalog of my latest works that accompanied my exhibition Layered Memories: The In-Between. I was thrilled when I read Peter Frank’s Essay about my work. Take a look.
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This new painting, In Between, came from my memories of floating in the Mediterranean Sea during my stay in Nice.
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This new painting, A Clear View, is 58″ x 68″. It is a part of my new works I painted after spending 5 weeks in Provence last summer.
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In 2010, I went to Mexico for the first time. I booked a room at La Paloma in Ajijic. Some friends of mine were looking to retire there, and were staying at the same Bed and Breakfast.
I almost didn't book the flight, because I was scared I would be bored. I knew I needed a vacation, but all of my previous vacations have been packed full with attending cultural events, visiting museums, and looking at contemporary art at the local galleries from the, usually, metropolitan cities. But this trip, I was traveling by myself to a very small village in Mexico and I didn't speak any Spanish. The B&B was owned by American's, so I felt like they could at least point me in the right direction. But my fear was that there would be nothing to do, and I would only sit by the pool. I don't like going to the beach. I don't like swimming. And I don't like sitting in the sun. With skin cancer in my family, I generally try to stay out of the sun. What if I just couldn't stand it. A claustrophobic fear came about. I decided to try and conquer that fear.
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I was thrilled to see this in the May June Issue of New York Spaces Magazine. This is the cover story for this Issue. A special thanks to Edda Elias and Associates for choosing my artwork for this beautiful space. And thanks to Portland Fine Art for selling it to them.
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Thanks to Susan Calloway Fine art, I was thrilled to find my artwork featured in the Gallery section of the Washington Post, Friday May 18th, 2012. This was for an exhibition "K Silve, Synaesthetic Impressions".
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Recently, while riding my bike in the morning, vivid emotions and memories flooded over me. Memories from my painting days in Provence, France. Every morning, I would wake up early and start my walk to the studio. I listened to the hustle and bustle of traffic: honking cars, screeching brakes, swishing of buses lowering and rising. The world started its day. The smells are what I remember most; the mixture of diesel with the sweet scents of jasmine and juniper as well as roses and other floral scents. As I got closer to the studio, the sounds became more faint and the sweet smells became more vivid. I would become very excited. Would I find myself in the fields looking at Mt. St. Victoire or country homes, or walk amongst flower fields that I would decide I had to stop and paint. Finally, I would make it to the studio and the aromas switched to herbaceous tones of thyme, rosemary and sage mixed with oil mediums and paints. I always had a cup of rosemary tea made with a large fresh cut sprig steeped in hot water. This I loved. It was so beautiful and kept my mind free and vibrant. Then, my art day would begin. After finding the place to paint, I would get lost in my surroundings; transcending from a practical place to an emotional and instinctive one. By the end of the day I would have completed a painting. Another day in my journal of art.
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These new paintings are a meditation about special places I visited during hikes around Mt. Hood and the Columbia Gorge. I contemplated over some of the untouched and intimate spaces realizing they are a part of a bigger picture; a part of evolution and mother nature at her best. I think it is the unknown that I am so inspired by; the awe of nature from something so ancient to something so current. I am fascinated with the hidden places where microorganisms, insects and animals are born, and how they are dependent on these delicate combination of conditions. There’s a quiet beauty which exists amongst the sounds of water falling, leaves rustling, birds chirping, and unseen creatures moving about. These special places have a spiritual aura that has mesmerized me.
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I am honored to tell you I've been invited to exhibit at the Embassy in Qatar. The Doha exhibition is made up of 11 works of art (including the two above) by 8 artists. The works are officially on loan to the US Department of State's ART in Embassies Program and will be installed in the public rooms of the US Embassy residence in Doha, Qatar. The ambassador and his staff will use the art as a tool of cultural diplomacy; the hundreds of guests who visit the residence each year will have the opportunity to learn about American art and artists.
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